On June 18, Lorenzon di Rende stadium will host the last of the storytellers, Francesco Guccini, for the only time in the south planned for his 2010 tour.
almost celebratory concert, given the almost coincide with the completion of its 70 years, is when considered in the light of the year "lent" music: active since 1967 with the 'album "Folk Beat No.1", has more than forty years of music production made up of 23 different albums, and one arriving probably in early 2011.
The earliest beginnings with "Cats", then all grown together 'original training that will give birth to young Vandelli Equipe 84, the group that, along with the nomads themselves, will submit his songs, in advance, as the beautiful and famous "Auschwitz , "" Song for a 'friend' (title to be Guccini "In the death of SF" and sung during the concert dedicated to 'friend Demetrio Stratos), "God is dead" or "We will not be there," among others, as the two groups had the merit of making them known to the public of the 70s, much more sensitive to the reality of the groups that were born on the model of their British or American, than to that of young songwriters. Only recently, the songs are back, rightly, to their true authorship. Recent
also its decision not to use the unpublished in his live, but this certainly does not mean interest in the performance gucciniana, made of a genuine conversation with the audience, an interaction between an offer you one piece el 'or other the pieces themselves, many of which they keep in them an almost 'theatrical' as the 'rant' L 'poisoned' intended soprattutto a critici e colleghi, le impegnate “Primavera a Praga” o “La Locomotiva”,(dedicata al ferroviere anarchico Pietro Rigosi che fece schiantare il suo treno contro una vettura nel 1893), l' ironica “Il Sociale e l' Antisociale” o le bellissime “Addio” e “Cirano”. Senza contare “Eskimo”, dedicata alla donna cui forse è stato più legato, e le varie canzoni di notte, che con l' ultimo album ammonteranno a quattro.
Definito da Dario Fo come la “voce del Movimento”, oggi trasformata in “voce di gioventù”, che canta l' ironia, l' amicizia e la solidarietà, Guccini è in realtà lontano dall' embody habits simply by itself as a partisan or a figure between three generations: his is actually an eye focused on the real irony disenchanted and, as such, able to wander and investigate everything that comes in first person or around him: he sings, with his typical "r" grind ", war, death, difficult social realities and bourgeois hypocrisy, but also the search for oneself, of cities and personalities, experience and personal habits, garnished the whole with quotes and literary references and a mixed-language, sometimes courtly and sometimes the restaurant, but always carefully calibrated to 'musical accompaniment, often made of a guitar and little altro, ma senza per questo risultare scarno.
Il faccione coperto di barba e capelli neri che ha invaso il cosentino è la copertina di “Via Paolo Fabbri 43” (nonché, precedentemente, retro di “Stanze di vita quotidiana”), l' indirizzo di Guccini all' epoca della pubblicazione dell' album, e ritrae, in primo piano, il giovane Francesco in vacanza a Santorini. “Di quell' epoca mi è rimasta la barba, non l' ho più tagliata”, ha dichiarato Guccini: il concerto di Rende sarà l' occasione per constatare se dell' epoca è davvero solo la barba ad essergli rimasta.
Zaira Bartucca
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